We enter the ecclesiastical gloom of the Bonython Hall. Dim blue lights glow from the far-off stage. As is only proper, the choir processes into the venue. We hear them behind us, singing a segment of the Hallelujah Chorus from Handel’s Messiah, as they make their way to the stage. They sound great, although the words seem unfamiliar. Banners, carried by two children, proclaim “Stop Shopping: Earthalujah!”
Mama Alto came to the Raj House foyer with an intimate show in her unique jazz-gospel style.
Damien Leith’s latest tour – Elvis: The Gospel Collection – is a vibrant evening of song paying homage to the King’s early gospel career. We spoke to Leith, about his tour, his new album, and what else he has on his plate.
The choir was formed in 2002 and has enjoyed incredible success around the world, winning four Grammy Awards, an Emmy and an Academy Award nomination.
In supporting the launch of his third studio record The Gospel Album released only days ago (July 31), Geoffrey Gurrumul Yunupingu played to a full house at the Adelaide Festival Theatre in a moving, heartfelt performance that was simply beautiful.
This concert moved some of the audience to tears, such was the power of the source material and the exceptional performances, connecting with the audience and evoking strong emotional responses.