Review: Driving Miss Daisy
From the very beginning the audience knew it was in the presence of theatre greats. The whole production was flawless. The audience felt privileged to have witnessed a beautiful piece of theatre.

From the very beginning the audience knew it was in the presence of theatre greats. The whole production was flawless. The audience felt privileged to have witnessed a beautiful piece of theatre.
Award winning Australian playwright, Van Badham, brings together two very different, but equally strong women, Eve and Manpreet, and looks at their relationships with the same man, Tom, and with each other.
This is a “feel-good” show that anybody can enjoy for its pseudo-Scottish music, lively dance routines, and laughs.
This is an exceptional piece that goes well past being a dance performance, with layer after layer revealing more and more.
The Sydney Dance Company’s exploration of relationships, interactions and the beauty of the human form utilizes the fluidity of 16 exceptional dancers to full extent.
Michael Gow’s play, about three Australian families on their respective summer holidays at the end of 1967, has been a staple of theatre groups since it was written.
This is a remarkable and worthwhile joint effort by so many talented people of all ages and backgrounds, a true community involvement. If you can still get a ticket you will be glad that you did.
You will not leave the theatre unmoved by this excellent piece of work, so be sure to make a date soon with Hedda Gabler.
This marvellous family entertainment is a sure-fire hit for everyone, filled with colour, comedy, memorable tunes and that oh-so-magical flying car!
Mel Brooks wrote this 12 Tony Award winning musical, based on the Academy Award winning 1968 hit film starring Zero Mostel and Gene Wilder, which he also wrote and directed.