A world-renowned choreographer and monks from the Shaolin Temple come together to bring their Adelaide audience a jaw-dropping display of physical feats that will truly astonish all.
This musical double-bill, jointly hosted by OzAsia and Nexus Arts, brings together two outfits with the same aim: to fuse Australian jazz with Carnatic music (the indigenous sound of Southern India).
The Therry Dramatic Society brings Richard Alfieri’s Six Dance Lessons In Six Weeks to the Arts Theatre for their latest production.
Fiona O’Loughlin returns home to Adelaide with three of her favourite comedy comrades for two nights at the iconic Regal Theatre on November 9th and 10th.
Most people think of experimental theatre as challenging and polarising but as Nassim proves, it can also be whimsical, funny and deeply moving. It’s a play about home, family and the power of language to both connect and separate us,
Sulieman Mountain is a potently comic, gritty, gripping cinematic metaphor exploring experiences of profound dislocation between authentic local Kyrgyzstan culture and overbearing demands of modern globalism.
Set in Damascus in 2015, While I Was Waiting portrays a family – and a country -in limbo.
A portrait of digital disconnection and narcissistic technological practices, Here is the message you asked for… don’t tell anyone else 😉 lures the audience into an un-healthily obsessed society of which we might never return from.
A significant time in Malaysia’s history is captured through the unique storytelling composition of Baling, unravelling the events of the 1955 ‘Baling Talks’ for the waiting audience.
Indonesian performer and choreographer, Eko Supriyanto (also known as Eko Pece), returns to Oz Asia with his solo performance, Salt, an entrancing and meditative piece of Indonesian contemporary dance.
From the 1st till the 17th of March, AF19 offers more than 70 awesome events in theatre, contemporary and classical music, opera, dance, film, forums and visual arts.
Four men, four beds, four lockers, they all gaze at you as you enter their space, unflinching, unapologetic. It is a space of confrontation, examination and the cold hard reality of an army training
Written in the early Seventies and set in the late Sixties, Alan Ayckbourn’s How The Other Half Loves made us laugh at ourselves and our social (or lack of them) mores.
In 2010 Korean choreographer Eun-Me Ahn took some of her dancers and three cameras, travelling around the country. On their journey they filmed older women dancing. These were farmers, fishers, shop-owners, horticulturalists. These women are the backbone of Korea, and Ahn wanted to celebrate them. Dancing Grandmothers is a work which grew out of that initial tour and combines dance, film and movement in a celebration of that most overlooked demographic: the older woman.
An Indian tale of epic proportions is told through the enthusiasm and brilliance of a single actor, leaving the audience in hysterics of laughter one minute and colossal heartache the next.
Vietnamese bao buns, butter chicken dumplings, and ube ice cream anyone?
Write this one on the calendar, the 2019 Adelaide French Festival is coming, and is going to be even bigger and better than the last.
The small town of Wirrabara has painted itself onto the map with an amazing new silo artwork.
The Adelaide Jazz Club’s next gig on November 9th features Andy Seymour.