Whilst studying, at the Theatre Academy in Maastricht, Nick Steur attracted an audience when he was playing around with rocks and saw the full potential of this as performance art. He graduated in 2011 and has been producing complex sculptural pieces ever since.
Daniel Sloss berates you for your choice of breakfast beverages (among other things), and makes you enjoy it.
The event is a concert performance of Brahms’ German Requiem. It is to be sung by an elite choir, Rundfunkchor Berlin, accompanied by piano (four-hands). The event is headed Human Requiem, and Jochen Sandig, the man who first conceived its unique presentation, uses this famous choral piece to highlight community, ritual, sharing, humanist principles and connectedness.
Following on from the huge Pnau show last year, the Royal Croquet Club is set…
Betty Grumble presents a powerful, fun and energetic one-woman show where no topic is off limits, from the oppression of minorities to her pubic hair, it’s quite literally all out there
Emily Steel was recently awarded the Jill Blewett Playwright’s Award and one can see why in this production; her autobiographical script is flawless. She elucidates every single devastating decision that lead her to the ultimatum, whilst providing audience members with emotional relief with illuminating moments of genuine humour.
After losing her teenage brother to suicide, Mary Galouzis established Talk Out Loud; a company that provides targeted prevention initatives, activities and programs for young people under 30 years of age. Removing the stigma surrounding mental illness is an extremely worthy objective, and Galouzis and her many volunteers should be commended for their work.
The second of two live performances, this show explores the shadowy figure of Madame Blavatsky, a Russian-born spiritualist who founded theosophy and travelled the world.
Shelly Pantic, Tania Savelli and Melanie Smith have had multiple shows this Fringe season, bringing the group’s iconic sound to venues all over Adelaide. This show was presented by the City of Unley as a free community event on a Thursday afternoon. The room was packed and the energy palpable.
Some of Adelaide’s best musicians have pulled together a tribute gig, performing Cocker’s seminal album Mad Dogs and Englishmen, in its entirety.
Movin’ Melvin Brown celebrates the life and music of one the creators of Rock n’ Roll.
With a comfortable looking set on stage including, of course, a grand piano, these ladies brought us many songs from The Great American Song Book as it is known, focusing on the music of Cole Porter, George Gershwin and Jerome Kern from that prolific spot in history when Jazz, Blues and show tunes were born.
Local comedian and actress, Lucy Gransbury, takes the audience on a humorous journey deep into the depths of her mental health as the somewhat taboo subject of anxiety takes centre stage in this one-woman comedy show.
Four self-involved millennials are unpleasantly surprised with their company when their elevator comes to a standstill.
After their wildly successful Adelaide Fringe debut last year, The After Hours Cabaret Club is back and bigger than ever!
Two years ago Zoe Muller began writing a script for Puberty Blues. The script came to life at Holden Street Theatre in October. After a successful opening, the trio have brought the play back to Adelaide audiences for the Fringe Festival.
Did we manage to snap you at WOMADelaide? Pics: John Kol www.jkfoto.net
UPDATED: As all good things must come to an end, we bid the World’s Festival…